I CAN’T TELL YOU how many useless meetings I sat through when I was a newsroom manager at a 100,000-plus newspaper. Perhaps you’ve had that experience, perhaps not. But I don’t think it’s possible to work at a newspaper and not see personalities like these in action at meetings, whether they’re people, “players” or politicians. Maybe you can put your own names and/or faces to some of these folks. Enjoy!
IN RESPONSE TO my original post on caption placement a couple weeks ago, Joel Martin wrote:
Back when my paper seldom ran color photos, I had an editor who would often put the credit in 7 point type on an inside corner of the photo, in black on a light area or white on a dark area. Sometimes he had to get creative to avoid interfering with the photo subject and would run it vertically up the right edge. I’ve never had the chutzpah to do that myself.
And I replied:
Not a good idea. As you mention, the credit often has to be moved — and it can be difficult to read, especially in seven point.
Nah…let’s keep the credit out of the photo.
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The infobox at left has more impact, but it’s so dark the text will be very difficult to read. Better to use a much lighter screen…or a shadow box.
Design is: How it works
“DESIGN IS NOT just what it looks like and feels like. Design is how it works.” — Steve Jobs.
That’s it. In one brief sentence.
Of course, readers want a newspaper that looks right…and feels right. They want the look and feel of their paper to reflect their community.
But what they want most of all is for their newspaper to work right for them.
Ask readers, and they will tell you they want:
TEXT THAT is legible, with size and spacing that keeps makes it comfortable to read.
DESIGN ELEMENTS like standing heads, section flags and columns sigs, that are simple and clean.
CONSISTENCY of these design elements throughout the entire newspaper.
DISPLAY FONTS that are readable, crisp and appealing.
SHORTER STORIES that are written clearly and flow easily.
EDITING that makes these stories even easier to follow.
PHOTOS THAT grab reader attention because they have interest, information and impact.
PAGE STRUCTURE that makes it easier for readers to see what goes with what.
SPACING between packages that helps readers see that structure.
COLOR USE that makes sense.
TINT BLOCKS that add impact—but don’t make type difficult to read.
SEQUENCING that makes the different content areas of your newspaper (e.g., news, opinion, sports, features…) easy to follow.
CONSISTENT placement of that content from issue to issue.
We can give readers all of these. And, in the process of doing that, we can rid our newspapers of those elements that create clutter and confusion.
If we start with how design works, it just makes sense that we’ll create a better design.
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